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"The Birth of Christ is the eucatastrophe of Man's history."--J.R.R. Tolkien
Drink up while it's warm. A time comes to plead. And give up a painful surrender indeed. "So sorry," said Elated, "so glad," said Forlorn. "I'm willing," said Regret, "I'm ready," said Not Yet. Changes upon changes stack up; so imperceptible. Its when I realize I'm empty; I'll know whow it feels to be full. Like an enemy soldier, brought trembling before a conquering king to be tried. Only to be embraced, and kissed on the face and given a robe, ring and wine."
Having heard a breathtaking new cut called "Burn The Bridges" from their upcoming release, it is evident that the writing is on the wall. The musical underground is about to represent in a major way. More than just another musical fad to be devoured and regurgitated by the corporate rock machine; KingPin invites us into the very catacombs of the musical underground with them to show us where they live and breathe. Don't be afraid of this subterranean journey, you're with friends and they know the way. All you need to bring is everything you believe, feel, fear, and hope. You might just find your own voice for it all there in the process, after all your guides are music makers and dreamers of dreams.
The “informational” view of preaching conceives of preaching as changing people’s lives after the sermon. They listen to the sermon, take notes, and then apply the Biblical principles during the week. But this assumes that our main problem is a lack of compliance to Biblical principles, when (as we saw above) all our problems are actually due to a lack of joy and belief in the gospel. Our real problem is that Jesus’ salvation is not as real to our hearts as the significance and security our idols promise us. If that’s our real problem, then the purpose of preaching is to make Christ so real to the heart that in the sermon people have an experience of his grace, and the false saviors that drive us lose their power and grip on us on the spot. That’s the “experiential” view of preaching (Jonathan Edwards.)
"Let me make this specific: Too many of our lyrics are embarrassingly personalistic, about Jesus and me. Personal intimacy with God is such a wonderful step above a cold, abstract, wooden recitation of dogma. But it isn’t the whole story. In fact—this might shock you—it isn’t, in the emerging new postmodern world, necessarily the main point of the story."